Wednesday, May 26, 2010
Following my last blog about amp placement I feel it necessary to speak more about stage preparation. 
There are many factors that influence how we perform, we need to be comfortable, prepared, sober, awake, and hear ourselves well. If these are met than the only thing between us and a good performance is how well we execute what we practiced. 

Preparing a stage isn't too difficult, but you need to do it. You can't rock up and expect to stand/sit anywhere and perform at your best. You need to know the layout of the stage, what equipment is available and what you need, where the engineer will be and where the audience will be. 

A rider is much like a list of what to expect for a gig. You can see an example of John Mayer's rider here. For the average band, compiling a stage rider for each performance is a good idea. It is helpful to make a list of what equipment the band uses, how many plug points are required, how many microphones and stands are needed and whether there is any gear that can be left at home. It is a useful planning tool for the live performer. 
Good stage preparation will only leave you concerned with the performance, that should be all thats on your mind. Worrying about gear and how you sound should be left up to a sound engineer. Trust your rider and the team.
Wednesday, May 19, 2010
I used to always have my amp standing on the floor when I played. I battled to get my sound right for ages.
What was happening was that the majority of the sound was hanging out on the floor, and what was coming to my ears was only certain frequencies, mainly higher tones.
So I got an amp stand and now I aim the amp at me, much like a monitor.

Now I am hearing the full effect of the amp, all the tones of my guitar and if I mic it up right, so should the audience. See my Vox on the left.

The next problem comes in with what I had to deal with this week. I played on someone else's amp twice this week, once on Sunday and then again this morning, 19 May 2010. The difference it made as to where the amp was placed is huge. 
Sunday I played on a small Fender combo amp. It was placed on a chair right behind me. The stage was small and tight and I was battling to stop any feedback. The amp and guitar were way too close together and as soon as I added any gain for lead sounds, it was uncontrollable. But, because I was in a rush and it wasn't my stage I couldn't change it around. Without gain it was fine, but very loud and it made me uncomfortable. When you sound good, your attitude comes right and then you play better. When you sound bad you focus too much on it and try to fix your sound instead of actually playing.

This morning I played on a Roland JC120. The stage was much bigger and the amp was far away from me, pointing up at me again. When I added the lead patch on my GT8, no feedback, no uncomfortable noise, just pure goodness. 
It is very important to take time and find your position for your amp and you. You don't want the amp pointing at the guitar, you will just get feedback. You don't want it aimed parallel to the floor, unless you have ears in your ankles. You want the amp aimed at your head so you can hear it clearly, sound good, and rock out properly.
Thursday, May 13, 2010
Being a musician is tough. Not only do we have to find money to buy great quality gear, we have to choose between a myriad of options, then we need to decide who to buy that from.
I paid a visit to Coastal Music in Durban to find out what makes my favourite local store tick.


Is it Stock?
Coastal music is fairly well stocked with everything you would need, guitars, keys, drums, recording gear, microphones, some wind instruments, strings, stands and most other stuff your average musician would need. They keep and can get all the big brands but seeing as it's not consignment stock, but a buy and re-sell operation keeping a R1million Steinway that one would probably buy once in a lifetime doesn't make much business sense. Dieter Bender, who runs the store, is part of a group that owns a few stores around SA, and imports music gear. He tells me that they will stock any instrument or brand that people ask for, provided enough people ask.

Is it Price?
Durban is a very price conscious city. I don't think anybody knows the reason for that and I'm sure the recession hasn't helped anybody. Generally in SA prices of gear is the same throughout. I have bought a very well priced Nylon String guitar from here before, and have also been shown a more pricey PRS that was in store. Dieter told me about a limited edition Takamine that was one of 80 made for the world that was sold for over R50,000, yet you can get a great set of strings for under R100. I'm not sure money matters too much as they seem to cater for everyone.

Is it Experience?
Dieter has been in the game for many years. He tells me that he was a production manager and got offered a job managing a music store, so he took it. Now he runs a very interesting ship, with all the staff being musicians with experience on the instruments. "The biggest challenge is getting people through the door," he tells me,"Everyone who comes in here does so for a reason and we want to make sure they leave having had a pleasant experience. Even if they don't buy something, they will tell a friend about how great it is to be in Coastal Music." As he tells me this I seem to click, and if you have been in the store you will too. How everyone is very approachable, they are all interested in you, even if you don't know what you are looking for.  I'll often pop in just to browse and Lee Loveridge or Ian Swart will show me the latest guitars or effect. We all know that when something bites you, you'll get it. I had a great opportunity to sit and test out the Roland GR20 and in the end I bought it from Coastal Music because they allowed me to experience it for quite a while, making quite a racket in the store.

Compared to the service you receive in other stores in Durban, Coastal Music is way ahead of the game. I remember once trying to look at a guitar in another store. A salesperson approached me, and before I could ask a question about the instrument, he reached behind me and turned the music up so I couldn't hear the guitar. I have never been back there again. I won't mention the name but it was such appalling service I do feel the need to tell all my mates about it.

Community Activity?
They do host in store workshops with the likes of Mike De Jager and Nibs van der Spuy. They have about 4 or 5 a year and invite the customers to attend. They also have a legendary sale once a year. People Wait in anticipation for this sale and even queue up outside the door before they open. I hope to get some video footage of the madness, there is no way I can describe it. The prices are so low and people go nuts for it.

I asked Dieter if he had any wisdom to give to musicians out there. "If you want to make your mark, you need to practice and apply yourself. Even someone who is tone deaf can play music by learning to read music."

Keep an eye on the Facebook group for info on the sale or ask a question, they are always glad to answer.
Wednesday, May 12, 2010
A friend asked me to restring a guitar for him. It is a fairly old, no brand, Japanese made Nylon string. At first glance it was a nice little instrument in dire need of new strings and some TLC.

There are a few items that I would like to touch on with this guitar that I found interesting. Let's look at it as a before and after exercise.

When I started removing the strings I noticed one of the tuning poles was cracked. I'm not sure how this could happen but it meant that I could not get a new string through the hole. I have all sorts of spares lying around so I could easily replace that part from bits and pieces lying around. It came out looking and feeling a whole lot better. There is a nasty crack on the head/neck that needs attention as well, but it is entirely fixable.


The way I string a nylon is very simple. I start at the bridge, then feed the string through the hole on the tuner and start from the outside I wind it over the piece that protrudes. I don't tie a knot as it makes taking the strings off quite tough. Basically I rely on the mechanics of leverage to stop the string from slipping off. I use the tension of the string itself to hold it in place and it works for me. My guitars are fairly stable and look neat. 

The tail-piece can be tricky for some and it should end up looking like this. What you do is make a loop around the string passing through and wind it twice around itself. Don't tie a knot as it can come loose or get stuck in the hole of the tail-piece.



There was a fair amount of dirt on this guitar and particularly the frets. which is nothing some Lemon oil can't clean off. I took a photo while I was halfway with the fretboard. 



There is still a little more work to be done on this guitar, the action is way too low and it needs a new nut and bridge. But for now it certainly looks a whole lot cleaner and feels a little better. 

I love the clean up before putting new strings on. I can appreciate the instrument so much more after that. 

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Donovan Banks
Durban, KZN, South Africa
I am a musician who does anything and everything else. I write about what I do and how I do it. Enjoy and feel free to comment.
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