Tuesday, January 4, 2011
That's the question I hear all 65 of you ask about the recording of my last gig.

Not so great, is the answer.

There was a lot wrong with the way the whole event was executed to begin with and there are some things we can all learn from here.

Planning
There were 13 bands, each playing 2 songs with no sound check in between. The stage was nicely laid out with enough gear and we as the band knew what was expected of us. We were prepared. So we thought.
I got on stage and made use of a Laney Cub amp. I chose that over the other 2 Fender amps because I knew it had good tone and figured since it was mic'ed up, I could have the mix in the monitors and not hear it too much from the source. Unfortunately when I should have told the sound engineer which amp I was using I didn't because I was rushing to set up. I will NEVER forsake quality of sound for time. The result of this was that when I broke into my solo, and it was a great one, it was inaudible. You could hear nothing at all. I tried in between sections to crank the amp but it was at 10 and still nothing.

Execution
I just carried on playing and by the second song I was definitely hearing guitar. My moment had passed. Nobody heard me. I checked with the engineer recording the audio and he had recorded the stereo mix and not each instrument on separate tracks. Recording stereo can work out awesome when the live sound is up to the right standard. Unfortunately, now there is a recording with absolutely no guitar, not even a track that can be compressed and amplified to rescue it. I can probably try dubbing some guitar over it after the fact but I am not sure how usable that track, or the recording will be.

We played our two songs with gusto and pizazz. The audience enjoyed us and we had fun. Hopefully the end product is usable, or at least YouTubable (c) so you can see it. Maybe I can also get my hands on the audio and add what guitar I can but we will see.

Frankly I can't blame anyone for the shortcomings but myself. We knew what we were getting into and we prepared for it. I just disregarded lessons and experience that I have had from this same venue. I knew something was going to fail and didn't look hard enough at what could go wrong.

I still had an awesome jam though....
Saturday, December 11, 2010

We're playing a 2 song set along with some other great bands. The event is being recorded to be released on DVD with the Zack's compilation album. Stay tuned for more details.
Thursday, November 18, 2010
In South Africa the 6th Edition of Idols (ptui!) recently closed with a character named Elvis Blue being declared the winner. Now I usually don’t care about this drivel but there are a few things I feel I need to talk about to all 6 people who read this, thanks Mom… (actually if my mother reads this I’ll be very impressed ha ha)
I once interviewed the singer of a local band called The Spoonfeedas. They were relatively successful in SA having a few good singles and some radio play with good sales and a fantastic live performance. The singers, Peter Guthrie, told me how he auditioned for the first SA Idols and never made it through the first round. By the second Idols the contestants were singing one of their songs in the final rounds. It’s a pretty clear indication of where real success comes from, and it isn’t from sms votes…

What made me really mad about this latest outcome is that the “winner” is singing a version of “Things My Father Said,” by Black Stone Cherry. I love Black Stone Cherry, and funny enough I discovered this song shortly before my father passed away 2 days before my wedding on 11 December 2008. It is a brilliant piece of music and BSC deliver it so well. The song was released in 2008 so it is still very recent in the music world. South Africa hasn’t cottoned onto this band and I had to buy the album off Amazon and import it.
Then this twit from Idols releases his version as a single. Now I’m not fully against him, or cover versions but I do feel that a cover version that is arranged exactly the same as the original is a silly idea. I also reckon releasing a cover as your first single isn’t the best way to launch your career.
Let me knock the latter point out the park first. If your first release is a cover, you will gain fans for someone else’s sound. Do you remember Alien Ant Farm? And their cover of Michael Jackson’s, “Smooth Criminal?” Did you hear any more from them? I remember one song and then they disappeared. Even the fact that they did the song justice with their arrangement didn’t help them because it did not allow the fans to get familiar with their particular style. All that happened was a group of closet Michael Jackson fans got to enjoy the song in public. Fall Out Boy also recently covered a MJ song, “Beat it.” They too had some success with it with one difference. They were already established and their fan base grew by those same few closet MJ fans. The only artists I know of who have success with releasing only covers are the crooners and those who sell to old ladies. Michael Buble stands out because his follow up releases, especially his own work were very good and he has earned the respect of this writer…
Seether recently released a cover of Wham’s Careless Whisper. They added their own Seether twist to it and their fans enjoyed it. As well as a few closet Wham fans as well. Micheal Flower covered Oasis’ Wonderwall and arranged it unbelievably well. It makes the original sound like a cover. Alas this isn’t everyone’s cup of tea. Jimi Hendrix made All Along the Watchtower his own as did Garth Brooks with Bob Dylan’s To Make You Feel My Love. Jose Feliciano and the Doors’ single Light my Fire. They all made it in their own style. If it were done according to the original arrangement all credibility would have been lost.

Why would any artist bother making an audio “photocopy” of someone else’s music? Especially as a first release. Please, be intelligent and learn from the mistakes others make.
Monday, September 20, 2010
I see so many bands these days giving out free music online. While I like the idea of free anything, I have to wonder where the product comes from. Where does the money come from to produce it?

Copying music is free, as free as it gets. All you need is a computer. You don’t need to design album art, get CD’s printed, packaged and distributed. I guess the trick is getting people to actually download, or copy with intent to share, your music.

I can see a reason for doing this. One can easily assume that people don’t want to pay for music. We hear a lot of talk in the press about how the downloading of music is hurting the industry. Then we hear the artists saying that they don’t mind, it is getting your work out there. The idea of millions of adoring fans is a great driver for many a musician. Having people sing along to your music at a gig is a great idea. You could be the next big thing, talked about by everyone, mentioned on every top blog; your songs could be on every celebrity’s iPod. You’ll be a star!

But you’ll be broke.

How will you have recorded your massive single? Who will have paid for your studio time? You could record at home, even with free software. Will it be good enough? It takes a massive amount of skill and effort to get a big studio sound out of a small home setup.

Do you think that these same people, who don’t want to pay for your music, will want to pay to see you perform? Will they pay to buy your branded hoodie? Who will hire you to play at their venue if the audience you attract, don’t want to pay for anything? How will the club make any money? Who will buy the beer? The same people who won’t pay for your music?

What if you get big enough to attract sponsorship from a large corporation? Do you expect this same audience, who don’t want to spend, to spend on your partnered brand? You may be attracting a crowd, but you’re not attracting a very good one. I don’t really see the point in being rich and famous, if you leave the rich out. Then you are merely infamous. Let’s leave that to serial killers.

I think the most disappointing factor about a band that gives their music away, is that they clearly don’t value their own product enough. Why would you make a product that you believe is not good enough to ask money for? There are many people who would pay $1 for a single on iTunes. It is an easy transaction. These same people would pay a few more dollars for more of your singles if they like it. They will also buy your merchandise, pay to see you perform and support your sponsors.

Why do bands think their product is so worthless that they have to give it away? I immediately think the band themselves don’t like the music. They don’t think they are worth someone giving them money for making it.

Have some pride in your craft. Make great music, believe in it and sell it. If it is good enough you could sell 100, 000 singles worldwide. If you get 60cents per single you have made $60, 000 dollars. If 2% steal your music, then there will be a further 2,000 copies of your song out there, but you have a wad of cash so you don’t have to care. 
Friday, August 27, 2010
I got my hands on the Snap Jack, which is a guitar lead with a difference. The folks at Zzyxz have created a cable that you can separate at the Jack making the connection faster and a lot quieter.
Take a look at my video


I like it. I'm glad I have one and I want more...
Thursday, August 19, 2010
Last night I played a short acoustic set with the singer of Stereo in Flight, Bevan Lynch at Zack's in Windermere rd. It was a simple affair, hosted by Steve Fataar and was very laid back. It is a lovely, intimate environment to play, especially if you want to interact closely with your audience.

Before I get into our little set, I must mention that there was a duo that played before us. They go by the name(s) Matt and Mike, or was it Mike and Matt? Thats aside, they were very good. I enjoyed their set and was very surprised to see talent like this floating around. Great voice, great guitar playing, excellent songs and a very personable interaction with the audience. I am hoping to see them a lot more often.

Our set was planned to be only two songs. Bevan played his Yamaha steel string, I don't know the model number, I played my Aria Nylon String. We played well and executed the songs well enough, but in the video that our drummer, Brett Robertson kindly took I noticed something about my guitar, well, the guitars in general.
There was a major lack of bass presence in the out going sound. Which resulted in us sounding very thin and like half an ensemble. Sure, we were only half the band but plenty people play unplugged with no bass and get a good, balanced sound.

I can only guess what the problem was out of a number of possibilities.

  1. My Battery is a little flat. Any adjustments I make to the preamp above or below zero suck so much power out of the already dead batter rendering the guitar a lot quieter. I think it's time to invest in rechargeable's. We'll see how that turns out...
  2. My guitar isn't the greatest sounding instrument. I have played guitars with a much better bass response. One of them being Brett's Ibanez that I pinched borrowed, another being a Martin that  I played in store. Maybe, just maybe, it's time to start  looking at a higher end Nylon String. For now I think I'm going to try the stolen  borrowed Ibanez and see what comes of it.
  3. We didn't do any sort of sound check. There was no EQ'ing done before we started. We merely tuned and played. It may have been a contributor to the lack of bass response as I don't recall any other performer's sounding very bassy either. 
  4. There were only 2 small speakers for the PA. I'm sure my guitar doesn't get down to the frequencies that require bass bins but it could have also contributed with the other, above-mentioned points. 
I think we did well last night. I am just being a little bit picky about the sound. Thankfully it was a small gig, not like we were making a DVD of it.

I do think it is important to review your performances. If you can get a simple video of the band so you can watch it later, you get to have an outside look at your performance. Much like any sport you need to improve on your last gig so keeping a reference will help identify areas to work on for your next performance. 
Monday, August 16, 2010
Yesterday I went to mass at my old Parish on the Bluff. I spent many years playing guitar in a small folk choir there. In fact I started out playing there.
In my confirmation years we were told to do something for the parish and seeing as I just started playing, I tried my hand and joined this group. I had only just started playing and could barely hold a barre chord but I joined anyway. I sat at the back with my trusty old Nylon String and strummed away.
I learned many things in that group. I was forced to play in front of people every week. I learned that mistakes don't count, you must just carry on playing. I learned about song structure and some very strange chord progressions. I made some good friends as well.
I must have been part of that group for over 12 years. I only ever wrote one piece of music I consider a hymn. I taught this choir the song, never letting them know where it came from. they all fancied it and we played it a few times.
I left that parish when I got married (just over a year ago) and haven't been back much. Last night was the second time I have returned in 18 months. I was listening to them play one of my favorite songs and it reminded me how grateful I am to be able to make music. It reminded me of my start, when I couldn't play Bm and I was so nervous. For all my dreams and hopes about music, the foundation was laid there.
they finished the song and I felt humbled.
Then they started to play their next song and a wave of goosebumps came over me. I had completely forgotten about the hymn I had written and they were singing it. They still have no idea who wrote it and I like it that way. It was so surreal. I just sat there, closed my eyes and listened to this small group perform a song that I penned. They sang it with heart and I could feel their belief in the words.
What a humbling experience to know that not only have  I written a song that is a spiritual connection for people, but that they sing it because they like it.

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Donovan Banks
Durban, KZN, South Africa
I am a musician who does anything and everything else. I write about what I do and how I do it. Enjoy and feel free to comment.
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