Donovan Banks

That's the question I hear all 65 of you ask about the recording of my last gig.

Not so great, is the answer.

There was a lot wrong with the way the whole event was executed to begin with and there are some things we can all learn from here.

Planning
There were 13 bands, each playing 2 songs with no sound check in between. The stage was nicely laid out with enough gear and we as the band knew what was expected of us. We were prepared. So we thought.
I got on stage and made use of a Laney Cub amp. I chose that over the other 2 Fender amps because I knew it had good tone and figured since it was mic'ed up, I could have the mix in the monitors and not hear it too much from the source. Unfortunately when I should have told the sound engineer which amp I was using I didn't because I was rushing to set up. I will NEVER forsake quality of sound for time. The result of this was that when I broke into my solo, and it was a great one, it was inaudible. You could hear nothing at all. I tried in between sections to crank the amp but it was at 10 and still nothing.

Execution
I just carried on playing and by the second song I was definitely hearing guitar. My moment had passed. Nobody heard me. I checked with the engineer recording the audio and he had recorded the stereo mix and not each instrument on separate tracks. Recording stereo can work out awesome when the live sound is up to the right standard. Unfortunately, now there is a recording with absolutely no guitar, not even a track that can be compressed and amplified to rescue it. I can probably try dubbing some guitar over it after the fact but I am not sure how usable that track, or the recording will be.

We played our two songs with gusto and pizazz. The audience enjoyed us and we had fun. Hopefully the end product is usable, or at least YouTubable (c) so you can see it. Maybe I can also get my hands on the audio and add what guitar I can but we will see.

Frankly I can't blame anyone for the shortcomings but myself. We knew what we were getting into and we prepared for it. I just disregarded lessons and experience that I have had from this same venue. I knew something was going to fail and didn't look hard enough at what could go wrong.

I still had an awesome jam though....

Last night I played a short acoustic set with the singer of Stereo in Flight, Bevan Lynch at Zack's in Windermere rd. It was a simple affair, hosted by Steve Fataar and was very laid back. It is a lovely, intimate environment to play, especially if you want to interact closely with your audience.

Before I get into our little set, I must mention that there was a duo that played before us. They go by the name(s) Matt and Mike, or was it Mike and Matt? Thats aside, they were very good. I enjoyed their set and was very surprised to see talent like this floating around. Great voice, great guitar playing, excellent songs and a very personable interaction with the audience. I am hoping to see them a lot more often.

Our set was planned to be only two songs. Bevan played his Yamaha steel string, I don't know the model number, I played my Aria Nylon String. We played well and executed the songs well enough, but in the video that our drummer, Brett Robertson kindly took I noticed something about my guitar, well, the guitars in general.
There was a major lack of bass presence in the out going sound. Which resulted in us sounding very thin and like half an ensemble. Sure, we were only half the band but plenty people play unplugged with no bass and get a good, balanced sound.

I can only guess what the problem was out of a number of possibilities.

1. My Battery is a little flat. Any adjustments I make to the preamp above or below zero suck so much power out of the already dead batter rendering the guitar a lot quieter. I think it's time to invest in rechargeable's. We'll see how that turns out...
2. My guitar isn't the greatest sounding instrument. I have played guitars with a much better bass response. One of them being Brett's Ibanez that I pinched borrowed, another being a Martin that  I played in store. Maybe, just maybe, it's time to start  looking at a higher end Nylon String. For now I think I'm going to try the stolen  borrowed Ibanez and see what comes of it.
3. We didn't do any sort of sound check. There was no EQ'ing done before we started. We merely tuned and played. It may have been a contributor to the lack of bass response as I don't recall any other performer's sounding very bassy either. 
4. There were only 2 small speakers for the PA. I'm sure my guitar doesn't get down to the frequencies that require bass bins but it could have also contributed with the other, above-mentioned points. 

When playing small gigs one encounters a variety of very strange people. It’s not always drunk people either. I will try list those I have come across and how to handle them professionally.

I was once accused of hiding behind my effects. It hurt me a little because I like to think that I don't. Then one day my GT8 broke and I had to play without it.

I thought I could get away with it, after all, I only need a clean sound and a lead tone. My amp at the time had 2 lead channels which was more than I needed. That gig was a mess. I had no tuner to reference from, so my guitar was out despite my best efforts (I blame the wind. Thats my story and I am sticking to it)

That played on me a lot. What if it were to happen again? So I went and bought an amp with effects built in. I went for the Vox VT50, but could have easily gone for any of the Roland Cubes or the Line6 amps. Even so I reckon I had better learn to do without any effects at all.

I pitched up at a band practice without my amp or my pedal last week. I had to use my band mates Crate amp. It has a lead channel and a clean channel and I made do. Everything sounded fine, even though I use quite a few volume based effects I had to fiddle with the pickup switch and the volume control a lot more than usual but it happened.

Than yesterday, I carried my amp and all my effects but I think I hit new lows in life when I realised I didn't bring a guitar. It was too late to drive all the way back home and I knew nobody nearby with a guitar I could borrow. So I had to make do with playing on an acoustic guitar. It was an Ibanez MASA commemorative acoustic guitar. There isn't much info on this particular guitar but I can say that this one needs a slight neck adjustment, but all round it's a very nice guitar that belongs to our drummer.

So there I played. I changed a few gain and eq settings to try avoid feedback and I played what is normally electric guitar lines on an acoustic guitar. Soloing was a little tough because it has one less fret than I am used to and the cutaway is hard to get into. Add to that an action that you can park under and there you have it.

Why I write about this is that as an amateur musician, trying to get to the higher ranks, it can be good to be fussy about your gear, but if you are rushed into a studio, you might not have tome to go searching for your perfect guitar or to try find the best feel or tone. You could be in the right place at the right time and the right band will be in the studio. You wouldn't want to tell your favourite band, sorry I can't help you out, I don't have my lucky underpants guitar.

Try playing well on anything, that way you can do it at any time when asked.

I played on Saturday evening with Swell band at a birthday party. Lately with Swell we have been focusing on getting the on stage sound right. This weekend we seem to have nailed it.

The truth be told though, it seems we solved the problem by throwing money at it. Each of us had our own monitor, and we were mixing on a fairly advanced desk.
I had my trusty Vox rather close to me but thanks to the variable wattage I turned the amp down to about 30W and miked it for the Front of House sound.

I had to adjust the gain settings on my favourite lead patch on the Boss GT8 to prevent feedback and then the angels were singing.
Sometimes this is necessary. Much like EQ and reverb gain needs to be set for the venue. Too much will cause headaches and too little will sound weaker than you want it to. The tone you get in the rehearsal room is tough to mimic elsewhere.

I also decided that I was going to hold back a bit on my playing. Too often I try and be too flashy or fast and end up losing the plot. I played simple lines and kept with what I was 100% sure of. As a result my confidence was high and I left feeling like a king.

In my experience there are a lot of things that can go wrong with a gig. if there is a possibility if it going wrong, it probably will at some point in your career. Here are 10 things I like to check before I gig, big or small.

1. Strings. Check your strings a few days before, after your last practice and the day before. If you need to change for whatever reason do it as early as possible so your strings are at least slightly stretched in before you play. Tuning between songs is fine, but if your guitar can't stay in tune for a whole song it's not good enough. Also make sure you have spare strings or a spare guitar. If you do have a spare guitar you need to check that as well.

2. Leads. There is nothing worse than the noise a faulty cable makes on a loud guitar amp. It can make you look unprofessional and stupid to not have working leads. check them, carry spares and check those. Make sure you have more than enough to rig your gear.

3. Power. Never rely on the venue to have enough extension cables or multiple adapters to supply your rig. Even if they do, they may be in an unsafe condition and could possibly kill you mid-gig. Bringing your won makes sure they are there, and that they work.

4. Batteries. Does your guitar or pedal need batteries? Get new ones. or if you use rechargeable batteries, make sure they are charged and carry spares with you.

5. Stands. Microphone stands, guitar stands and amp stands. Make sure you have packed all you need. Venues always seem to be one stand short and to save time or to prevent having to string a mic up from the rafters, just carry that one in your car in case.

6. Toolkit. A basic toolkit in case quick repairs are needed should at least have screwdrivers, hex keys and spare parts for amps and guitars. I carry around a soldering iron as well but I've never needed it to date. The further you are away from home, or a quick place to get something fixed, the more prepared you need to be.

7. Spare Clothes. You are a performer and unless your stage presence relies on you looking a mess it is advisable to have a change of clothes with you. All you need is to be waiting to go on stage, and some drunk bumbling buffoon (because they are there) will stumble and spill his drink and/or food on you.

8. Effects. I like to double check that all my effects are working as planned. I have had my pedal fail on me once and I now have backup effects which I also check are working. I try have contingency plans for my contingency plans...

9. Rest. Try get plenty of rest before hand. You don't want to perform while yawning, that sends a very bad message to your audience. If your energy levels are up you can give that to your fans and they will appreciate it.

10. Be Prepared to Rock. Get yourself into the right frame of mind. Nothing can compare to finishing a gig, having been in the right head-space. Just a short meditation or psyche up and you can get on stage pumped and full of the right energy to put on a great show and soak up some really good energy from a crowd who enjoy watching the performance. I like to stretch before I play, I don't listen to any music and I run through what I need to do in my head before I get on stage.

It's always a great idea to be prepared, you may not be the best musician playing the most technical songs, but you definitely don't want to look unprofessional.
Thanks Arjun for the topic.

I used to always have my amp standing on the floor when I played. I battled to get my sound right for ages.
What was happening was that the majority of the sound was hanging out on the floor, and what was coming to my ears was only certain frequencies, mainly higher tones.
So I got an amp stand and now I aim the amp at me, much like a monitor.

Playing with Swell band has taught me a lot about music performance. I have learned about bad gigs, good gigs, playing outdoors, dealing with some very strange people, being ignored, being harassed, and playing on some tiny stages as well as some big ones.

What stood out for me this weekend was that, when playing covers, you have to believe in the song to really communicate it well. There are some songs we do that the whole band believes in and we really pump those out. We have a lot like that and it is such an amazing feeling to play.

But there are the songs that I battle to get behind. Blue Eyes, by Elton John is one of them. Every time I play that song I feel like I die a little inside. We play it EVERY TIME. I don't believe in it, so I can't follow it, and I have to bury my nose in sheet music to guess what is going on and my performance suffers for it.

So how do I get around this? I dunno. I don't think I can force myself to like certain songs. I guess I must try keep to songs I believe in. Unfortunately in this case the band likes this song. I may be dead by 2015 if I carry on playing it.

That is why it is so much easier to play your own songs, because you automatically believe in them. If you didn't, you wouldn't have written them, or you would have made them somethign you can work with.

Thats just the way the world works. but if you figure out how to pay music you hate, let me know how..