Friday, January 28, 2011
8:35 AM | Posted by
Donovan Banks |
Edit Post
I'm not a big fan of HSS Stratocasters. I've never liked the sound that you get from the humbucker. Maybe I don't use enough gain when I play a strat but it doesn't sound right. In fact it doesn't sound like it's matched to the others. It feels like such an afterthought. "Oh, Ibanez can do it, why don't we?"
The Fender Stratocaster is awesome with 3 single coil pickups. They work well together, when matched correctly, and give you a sound and tone that only a strat could. They have made major improvements for noise reduction and their tone is only getting better.
I put the Fender Hot Noiseless
pickup in the bridge. I left the Tex Mex
pups in the middle and neck position even though I feel they are not 100% suited to the sound I am after. I am keen for a set of Toneriders or maybe Kinmans if anyone wants to send me a set to demo... hint hint.
Here's the video comparison for my now, better sounding, strat. Enjoy
The Fender Stratocaster is awesome with 3 single coil pickups. They work well together, when matched correctly, and give you a sound and tone that only a strat could. They have made major improvements for noise reduction and their tone is only getting better.
I put the Fender Hot Noiseless
Here's the video comparison for my now, better sounding, strat. Enjoy
Wednesday, January 26, 2011
5:11 PM | Posted by
Donovan Banks |
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A while back I acquired a Fender Hot Noiseless pickup which I immediately chucked into a 1990 MIJ Squier Stratocaster.
Well, I recently got my hands on a set of Fender pickups from an American Stratocaster. Of course the first thing I would do is apply them to my Squier and make a video of it. Wouldn't you?
Well, I recently got my hands on a set of Fender pickups from an American Stratocaster. Of course the first thing I would do is apply them to my Squier and make a video of it. Wouldn't you?
Wednesday, January 12, 2011
3:16 PM | Posted by
Donovan Banks |
Edit Post
I do get the odd question from the videos I upload to YouTube. I thought I'd answer them publicly to make myself feel important. ha ha
The first mail comes from Neil.
The second mail comes from Steve,
What I found to be more effective is the Boss WAV converter which can be downloaded here. Basically it is more visual when downloading WAV files from the BR600. I will try get a video done for that soon.
Have fun recording guys.
The first mail comes from Neil.
Hi Donovan Firstly, I would like to thank you for your youtube vids for boss br600. Really helpful. I wonder if you could send me a copy of the drum track list that you mentioned as I had trouble locating it on your blog page. Keep up the good work. Thanks NeilThanks Neil and I apologise for taking so long to reply. I might have moved it or misplaced it when I changed servers. So I have loaded it here for your benefit. Enjoy. I certainly found keeping a record of what I had done very helpful when arranging.
The second mail comes from Steve,
Hi there...I can export my ttrack 1 through 4 and 5/6 to my computer but when I try to export 7/8 it says card full...now I'm exporting so I don't understand why it says card full as I have plenty of memory left on the computer external card... Any help is appreciated and thanks for your other videos, I wouldn't be able to do this without your posts :) steveWhat the BR600 does when you export a track is copy the .wav file to the USB folder on the card. Which means that if you have recorded 8 tracks, then export 8 tracks there are effectively 16 .wav files on your card taking up storage space.
What I found to be more effective is the Boss WAV converter which can be downloaded here. Basically it is more visual when downloading WAV files from the BR600. I will try get a video done for that soon.
Have fun recording guys.
Tuesday, January 4, 2011
10:51 PM | Posted by
Donovan Banks |
Edit Post
That's the question I hear all 65 of you ask about the recording of my last gig.
Not so great, is the answer.
There was a lot wrong with the way the whole event was executed to begin with and there are some things we can all learn from here.
Planning
There were 13 bands, each playing 2 songs with no sound check in between. The stage was nicely laid out with enough gear and we as the band knew what was expected of us. We were prepared. So we thought.
I got on stage and made use of a Laney Cub amp. I chose that over the other 2 Fender amps because I knew it had good tone and figured since it was mic'ed up, I could have the mix in the monitors and not hear it too much from the source. Unfortunately when I should have told the sound engineer which amp I was using I didn't because I was rushing to set up. I will NEVER forsake quality of sound for time. The result of this was that when I broke into my solo, and it was a great one, it was inaudible. You could hear nothing at all. I tried in between sections to crank the amp but it was at 10 and still nothing.
Execution
I just carried on playing and by the second song I was definitely hearing guitar. My moment had passed. Nobody heard me. I checked with the engineer recording the audio and he had recorded the stereo mix and not each instrument on separate tracks. Recording stereo can work out awesome when the live sound is up to the right standard. Unfortunately, now there is a recording with absolutely no guitar, not even a track that can be compressed and amplified to rescue it. I can probably try dubbing some guitar over it after the fact but I am not sure how usable that track, or the recording will be.
We played our two songs with gusto and pizazz. The audience enjoyed us and we had fun. Hopefully the end product is usable, or at least YouTubable (c) so you can see it. Maybe I can also get my hands on the audio and add what guitar I can but we will see.
Frankly I can't blame anyone for the shortcomings but myself. We knew what we were getting into and we prepared for it. I just disregarded lessons and experience that I have had from this same venue. I knew something was going to fail and didn't look hard enough at what could go wrong.
I still had an awesome jam though....
Not so great, is the answer.
There was a lot wrong with the way the whole event was executed to begin with and there are some things we can all learn from here.
Planning
There were 13 bands, each playing 2 songs with no sound check in between. The stage was nicely laid out with enough gear and we as the band knew what was expected of us. We were prepared. So we thought.
I got on stage and made use of a Laney Cub amp. I chose that over the other 2 Fender amps because I knew it had good tone and figured since it was mic'ed up, I could have the mix in the monitors and not hear it too much from the source. Unfortunately when I should have told the sound engineer which amp I was using I didn't because I was rushing to set up. I will NEVER forsake quality of sound for time. The result of this was that when I broke into my solo, and it was a great one, it was inaudible. You could hear nothing at all. I tried in between sections to crank the amp but it was at 10 and still nothing.
Execution
I just carried on playing and by the second song I was definitely hearing guitar. My moment had passed. Nobody heard me. I checked with the engineer recording the audio and he had recorded the stereo mix and not each instrument on separate tracks. Recording stereo can work out awesome when the live sound is up to the right standard. Unfortunately, now there is a recording with absolutely no guitar, not even a track that can be compressed and amplified to rescue it. I can probably try dubbing some guitar over it after the fact but I am not sure how usable that track, or the recording will be.
We played our two songs with gusto and pizazz. The audience enjoyed us and we had fun. Hopefully the end product is usable, or at least YouTubable (c) so you can see it. Maybe I can also get my hands on the audio and add what guitar I can but we will see.
Frankly I can't blame anyone for the shortcomings but myself. We knew what we were getting into and we prepared for it. I just disregarded lessons and experience that I have had from this same venue. I knew something was going to fail and didn't look hard enough at what could go wrong.
I still had an awesome jam though....
Saturday, December 11, 2010
10:40 AM | Posted by
Donovan Banks |
Edit Post
We're playing a 2 song set along with some other great bands. The event is being recorded to be released on DVD with the Zack's compilation album. Stay tuned for more details.
Thursday, November 18, 2010
4:08 PM | Posted by
Donovan Banks |
Edit Post
In South Africa the 6th Edition of Idols (ptui!) recently closed with a character named Elvis Blue being declared the winner. Now I usually don’t care about this drivel but there are a few things I feel I need to talk about to all 6 people who read this, thanks Mom… (actually if my mother reads this I’ll be very impressed ha ha)
I once interviewed the singer of a local band called The Spoonfeedas. They were relatively successful in SA having a few good singles and some radio play with good sales and a fantastic live performance. The singers, Peter Guthrie, told me how he auditioned for the first SA Idols and never made it through the first round. By the second Idols the contestants were singing one of their songs in the final rounds. It’s a pretty clear indication of where real success comes from, and it isn’t from sms votes…
What made me really mad about this latest outcome is that the “winner” is singing a version of “Things My Father Said,” by Black Stone Cherry. I love Black Stone Cherry
, and funny enough I discovered this song shortly before my father passed away 2 days before my wedding on 11 December 2008. It is a brilliant piece of music and BSC deliver it so well. The song was released in 2008 so it is still very recent in the music world. South Africa hasn’t cottoned onto this band and I had to buy the album off Amazon and import it.
Then this twit from Idols releases his version as a single. Now I’m not fully against him, or cover versions but I do feel that a cover version that is arranged exactly the same as the original is a silly idea. I also reckon releasing a cover as your first single isn’t the best way to launch your career.
Let me knock the latter point out the park first. If your first release is a cover, you will gain fans for someone else’s sound. Do you remember Alien Ant Farm
? And their cover of Michael Jackson’s, “Smooth Criminal?” Did you hear any more from them? I remember one song and then they disappeared. Even the fact that they did the song justice with their arrangement didn’t help them because it did not allow the fans to get familiar with their particular style. All that happened was a group of closet Michael Jackson fans got to enjoy the song in public. Fall Out Boy also recently covered a MJ song, “Beat it.” They too had some success with it with one difference. They were already established and their fan base grew by those same few closet MJ fans. The only artists I know of who have success with releasing only covers are the crooners and those who sell to old ladies. Michael Buble stands out because his follow up releases, especially his own work were very good and he has earned the respect of this writer…
Seether recently released a cover of Wham’s Careless Whisper
. They added their own Seether twist to it and their fans enjoyed it. As well as a few closet Wham fans as well. Micheal Flower covered Oasis’ Wonderwall and arranged it unbelievably well. It makes the original sound like a cover. Alas this isn’t everyone’s cup of tea. Jimi Hendrix made All Along the Watchtower his own as did Garth Brooks with Bob Dylan’s To Make You Feel My Love
. Jose Feliciano and the Doors’ single Light my Fire. They all made it in their own style. If it were done according to the original arrangement all credibility would have been lost.
Why would any artist bother making an audio “photocopy” of someone else’s music? Especially as a first release. Please, be intelligent and learn from the mistakes others make.
Monday, September 20, 2010
12:54 PM | Posted by
Donovan Banks |
Edit Post
I see so many bands these days giving out free music online. While I like the idea of free anything, I have to wonder where the product comes from. Where does the money come from to produce it?
Copying music is free, as free as it gets. All you need is a computer. You don’t need to design album art, get CD’s printed, packaged and distributed. I guess the trick is getting people to actually download, or copy with intent to share, your music.
I can see a reason for doing this. One can easily assume that people don’t want to pay for music. We hear a lot of talk in the press about how the downloading of music is hurting the industry. Then we hear the artists saying that they don’t mind, it is getting your work out there. The idea of millions of adoring fans is a great driver for many a musician. Having people sing along to your music at a gig is a great idea. You could be the next big thing, talked about by everyone, mentioned on every top blog; your songs could be on every celebrity’s iPod. You’ll be a star!
But you’ll be broke.
How will you have recorded your massive single? Who will have paid for your studio time? You could record at home, even with free software. Will it be good enough? It takes a massive amount of skill and effort to get a big studio sound out of a small home setup.
Do you think that these same people, who don’t want to pay for your music, will want to pay to see you perform? Will they pay to buy your branded hoodie? Who will hire you to play at their venue if the audience you attract, don’t want to pay for anything? How will the club make any money? Who will buy the beer? The same people who won’t pay for your music?
What if you get big enough to attract sponsorship from a large corporation? Do you expect this same audience, who don’t want to spend, to spend on your partnered brand? You may be attracting a crowd, but you’re not attracting a very good one. I don’t really see the point in being rich and famous, if you leave the rich out. Then you are merely infamous. Let’s leave that to serial killers.
I think the most disappointing factor about a band that gives their music away, is that they clearly don’t value their own product enough. Why would you make a product that you believe is not good enough to ask money for? There are many people who would pay $1 for a single on iTunes. It is an easy transaction. These same people would pay a few more dollars for more of your singles if they like it. They will also buy your merchandise, pay to see you perform and support your sponsors.
Why do bands think their product is so worthless that they have to give it away? I immediately think the band themselves don’t like the music. They don’t think they are worth someone giving them money for making it.
Have some pride in your craft. Make great music, believe in it and sell it. If it is good enough you could sell 100, 000 singles worldwide. If you get 60cents per single you have made $60, 000 dollars. If 2% steal your music, then there will be a further 2,000 copies of your song out there, but you have a wad of cash so you don’t have to care.
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About Me
- Donovan Banks
- Durban, KZN, South Africa
- I am a musician who does anything and everything else. I write about what I do and how I do it. Enjoy and feel free to comment.
