Thursday, February 18, 2010
I never really liked the flying V so I advertised it for sale and I was traded a Samick strat style guitar for it. Value wise I reckon they're pretty much the same but the Epiphone has a more popular brand name. The Samick is a basic strat style guitar with two humbucking pickups and a floating Tremolo bridge.

I didn't really find time to play with the guitar much but when I did,
I found the D-string almost jumped out every time I used the trem. The guide at the bridge was broken and couldn't be held in place.


I obtained a new bridge hoping to just slot it in, but the plate was smaller than the current trem and it certainly wasn't going to be that easy. The next thing I thought I could do was to swop out all the guides.




The new bridge also had smaller screws to adjust the intonation which meant the gap in the "fork" was too smal for the screws in the existing bridge, and the small screws were too small for the holes in the old bridge as well.

This is the broken guide and the new one I put in. There are some very cool differences. The new guide is a string through, meaning I don't have to cut the ball end off to re-string. Although it doesn't have individual height adjusters like the old guides. I'm lucky the neck is fairly flat so it doesnt matter all that much.


Filed out to make it wider. 
I filed the top down as well to give the screw more bridge to bite on. With the current height of that guide it only had less than 1mm to grip and I felt it could use more, especially at the tension and use I intend putting it through.


Thankfully this won't make a difference to the action or feel of the guitar.  It made more mechanical sense to do this.


There's the bridge all together now. 


Here you can see where the strings are threaded. It definitely makes restringing much easier.
There it is all done. The intonation, luckily, was spot on when I put the bridge on. The hardest part is adjusting the spring for the trem vs. the string gauge. Thankfully I've done that before and it was easier. It has a fatter neck than I thought it would but it plays very smooth and I can see myself enjoying it for a short while before selling it off.
I'm GASsing for an Ibanez S Series... mmmmm
Tuesday, February 16, 2010
Playing with Swell band has taught me a lot about music performance. I have learned about bad gigs, good gigs, playing outdoors, dealing with some very strange people, being ignored, being harassed, and playing on some tiny stages as well as some big ones.

What stood out for me this weekend was that, when playing covers, you have to believe in the song to really communicate it well. There are some songs we do that the whole band believes in and we really pump those out. We have a lot like that and it is such an amazing feeling to play.

But there are the songs that I battle to get behind. Blue Eyes, by Elton John is one of them. Every time I play that song I feel like I die a little inside. We play it EVERY TIME. I don't believe in it, so I can't follow it, and I have to bury my nose in sheet music to guess what is going on and my performance suffers for it.

So how do I get around this? I dunno. I don't think I can force myself to like certain songs. I guess I must try keep to songs I believe in. Unfortunately in this case the band likes this song. I may be dead by 2015 if I carry on playing it.

That is why it is so much easier to play your own songs, because you automatically believe in them. If you didn't, you wouldn't have written them, or you would have made them somethign you can work with.

Thats just the way the world works. but if you figure out how to pay music you hate, let me know how..
Thursday, February 11, 2010
I was in the studio last night again with my mate Brett Robertson and Bevan Lynch finishing off the recording of what will be our first single "Ode to Innocence."

This was my first time working with a producer. Many South African bands are left up to their own devices and come out with takes in the recording that are good enough, but not the best. Marciano Monjane, who incedentally also works at Andiamo Sound, helped us out at Siyabonga Media with the track.

It started out at first like an ordinary pop rock song, simple intro to verse, chorus, verse, basic solo chorus then end. With Marciano's guidance we added little treasuers (as Bevan called them) into the mix. A little bit of guitar here, a change in bass there, some synth that you can hear, but not quite and the harmonies are so subtle yet amazingly effective.

Bevan performed the vocals amazingly well and again, we could have had a take that was good enough but we went for the best and I think we got it.

Keep an ear out for it. Soon enough we'll be hitting your airwaves...
Wednesday, February 10, 2010
I am starting to think it is easier to get a great tonewith a les paul than it is a strat.

Go to my myspace page and listen to Leap to life (done with the Les paul) and War in the back alley (done with the strat) and tell me what you think.
If you want to hear what I do, you can find my Myspace, or my Facebook page

I uploaded a small tune, Leap to Life, which is an instrumental I did to play around with the tone of my Epiphone Zakk Wylde Bullseye Les Paul.  Go along and take a listen to it, I think I got a fairly good tone this time around.

It is an awesome guitar...

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Donovan Banks
Durban, KZN, South Africa
I am a musician who does anything and everything else. I write about what I do and how I do it. Enjoy and feel free to comment.
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