Monday, July 20, 2009
This weekend I played at the Awakening as part of Nelisa Kala's band. We've been working for a few weeks to put together this show (hence the quiet blog).

We have a good band with very talented musicians, Keith Naidoo on guitar, Lazarus Pillay on Keys and Ross Viljoen on Drums.

We had some issues that we could learn from this weekend.

Friday: We arrived to do a sound check to discover they had a 6 channel sound desk with 2 monitor sends, they had no monitors and their equipment was shocking. One would normally expect a theatre to have top level sound systems and be well equipped for anything. We took it for granted that the venue provided what they said they would. As a result we had to fix it by borrowing equipment and using a separate feed as monitors and to try boost the quality of the house sound.

Saturday: The gig went very well. Keith played outstanding solo's and people loved it. Nelisa did something amazing in that she forgot the words to one of her poems but she covered it so well and nobody was the wiser. Being a professional is not about never making mistakes, it's about being able to handle them. The crowd LOVED the way she did so that night. She was brilliant and it showed in the audience reaction.

Sunday: we had a substantially smaller crowd. We were comfortable with the venue and sound by now so we were set to have a smooth gig. Keith had issues with his pedal which was buzzing badly every time he tried to change effects. This, of course, happened mid song. There are a few learning points here that we can look at.
  1. check your gear before you play. If there are any problems that can't be fixed, and if there is a chance it would happen in the set, remove it and make do. A clean guitar solo can be just as effective as an over driven one. It is also impressive at times to see just raw guitaring. While effects can add to the ambiance, as long as your guitar works you are able to play.
  2. Nelisa had walked over to the opposite side of the stage to give Keith focus at his solo time. That's when his gear failed so he could do nothing. She could have turned her focus to either the keys or even the bass to fill in the solo gap. Take the focus off the problem and get the audience looking somewhere else so the problem can be sorted out on the side.
  3. When a lead guitarists gear fails on him, there is obviously a big gap. Other guitarists in the band should be able to cover the empty space. Again, get the focus off the problem so it can be handled quickly. If not another guitarist, the keys, bass or even drums can sort it out. You should generate a good enough feel for each other so you know who will step in if something goes wrong.
These are all things you learn from experience. I hope you can learn from my experience so you avoid embarrassing situations in front of your fans or potential clients.

Keep an eye out for Nelisa Kala and the Awakening. We'll be doing the rounds soon enough and it is something definitely worth watching.

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Donovan Banks
Durban, KZN, South Africa
I am a musician who does anything and everything else. I write about what I do and how I do it. Enjoy and feel free to comment.
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