Donovan Banks

When playing small gigs one encounters a variety of very strange people. It’s not always drunk people either. I will try list those I have come across and how to handle them professionally.

I used to always have my amp standing on the floor when I played. I battled to get my sound right for ages.
What was happening was that the majority of the sound was hanging out on the floor, and what was coming to my ears was only certain frequencies, mainly higher tones.
So I got an amp stand and now I aim the amp at me, much like a monitor.

I purchased a set off books recently that I think I should tell you about. They are a short series by David Mead and while I cannot vouch for the author, nor the accuracy of the content in the book, I always feel that if I learn one thing that improves my playing or attitude, then it is worth it.

I have the Basic Scales for Guitar, Basic Chords for Guitar, Basic Kit Repair and the Basic Guitar Workout.

Now I am very impressed with the Guitar Workout as it gives you some very good practice techniques which are very important.
The book works on a simple principle that 10 minutes of good practice here and there is better than not practicing because you only have 10 minutes. How he structures the sessions is that you randomly open the book to any exercise, and spend 2 minutes doing it. He gives a guide on how many repetitions you should be able to achieve in those 2 minutes but the aim is to do as many as you can, while maintaining clear tones.
Some of the exercises are rather tricky though he has split them into three categories, Warm-up; Co-ordination; and Ear Training. They really work your fingers and force you to practice real techniques that matter, not just speed but clarity across all available fingers.

I do like to buy little things like this. My main aim is to learn as much as possible, from all sources possible. That was my first and biggest lesson.

I got a question from one of the vids on YouTube
"How do you record onto v-track 78_2 and delete the one that's already there?"

To select where to bounce the track move your cursor to the top right of the screen. You will see this;

Select which track by using the scroll wheel, then select which V-Track you wish to use. This is currently track 7/8, V-track 5.

The squares next to the number indicate whether you have something recorded there or not. If they are blank then no data is recorded in the V-Track

Hope That helps. Feel free to ask anything else.

I never really liked the flying V so I advertised it for sale and I was traded a Samick strat style guitar for it. Value wise I reckon they're pretty much the same but the Epiphone has a more popular brand name. The Samick is a basic strat style guitar with two humbucking pickups and a floating Tremolo bridge.

I didn't really find time to play with the guitar much but when I did,
I found the D-string almost jumped out every time I used the trem. The guide at the bridge was broken and couldn't be held in place.


I obtained a new bridge hoping to just slot it in, but the plate was smaller than the current trem and it certainly wasn't going to be that easy. The next thing I thought I could do was to swop out all the guides.








There it is all done. The intonation, luckily, was spot on when I put the bridge on. The hardest part is adjusting the spring for the trem vs. the string gauge. Thankfully I've done that before and it was easier. It has a fatter neck than I thought it would but it plays very smooth and I can see myself enjoying it for a short while before selling it off.

2 Years ago I had a 70's Fender Bassman in fair condition but it was looking tatty. I undertook to re-cover it in white vinyl. It was a wonderful sounding amp but it was too big for me to haul around so I sold it.

This is how it looked before. That speaker was from another old valve amp that died.




It was quite old looking and had a fair amount of damage to the tolex



I set about removing the old tolex from the head

and cleaned off the remaining glue


I used the pieces I took off to cut the new vinyl and used contact glue to stick it on.


I covered the front face with the only black fabric I could find at the time using staples

After cleaning up the metal trimming I assembled it again when the glue was good and dry



The Cabinet had water damage (have no idea from where) and it was made out of chipboard. When I tried to remove the tolex it just disintegrated. I bought some pine and made a new cabinet using the same face and back board but I put castors on it this time to make transport easier....

I also covered the cabinet in the same vinyl and black face cloth


It turned out much better and even made my guitar look cooler....


I had a good time with this project and I intend to do it again some time, although not with a new amp, I'll find another old one.

Basically I pan two tracks left and right to make it feel like a wall, but here are the videos...





Enjoy.
Please feel free to comment and also take some time to visit the sponsors of this blog...

A short Video Demo on how to Export Tracks using the BOSS BR600

I know a few people battle with this so I put together this video on putting together rhythm arrangements for the BR600. I know the concept is the same for the Micro BR so knock yourself out.




The Song sheet can be found here...

I notice so many YouTube videos with sub standard audio. The audio on my videos aren't great, but if I were to use the camera audio as my main audio it would be terrible. As with everything you need to edit and clean things up a bit.

If I talk I use the camera audio. I will be getting a lapel microphone soon so that will be clearer as well but for now I just use the camera.

For the guitar I mainly run into my Boss GT8, then into a small mixing desk and into my Computer.


I use Samplitude 10 as my DAW (Digital Audio Workstation) and Magix Movie Edit Pro 15 as my video editing software.

recording the guitar separate gives me a great clean way to record without external noise influence such as the size of my room etc, so you hear the guitar clearly.

Take a look at my channel and see for yourself.

I got a Fender Jeff Beck Hot Noiseless pickup for a Strat. Its supposed to be a hotter pup with more gain and stronger tone.

The result is fantastic and I also changed the look slightly of my guitar.

Before


After

I need to find a cover that fits the HN.

Inside before


Inside After


Tonally it sounds very cool. I made a video of that as well,

This weekend I played at the Awakening as part of Nelisa Kala's band. We've been working for a few weeks to put together this show (hence the quiet blog).

We have a good band with very talented musicians, Keith Naidoo on guitar, Lazarus Pillay on Keys and Ross Viljoen on Drums.

We had some issues that we could learn from this weekend.

Friday: We arrived to do a sound check to discover they had a 6 channel sound desk with 2 monitor sends, they had no monitors and their equipment was shocking. One would normally expect a theatre to have top level sound systems and be well equipped for anything. We took it for granted that the venue provided what they said they would. As a result we had to fix it by borrowing equipment and using a separate feed as monitors and to try boost the quality of the house sound.

Saturday: The gig went very well. Keith played outstanding solo's and people loved it. Nelisa did something amazing in that she forgot the words to one of her poems but she covered it so well and nobody was the wiser. Being a professional is not about never making mistakes, it's about being able to handle them. The crowd LOVED the way she did so that night. She was brilliant and it showed in the audience reaction.

Sunday: we had a substantially smaller crowd. We were comfortable with the venue and sound by now so we were set to have a smooth gig. Keith had issues with his pedal which was buzzing badly every time he tried to change effects. This, of course, happened mid song. There are a few learning points here that we can look at.

1. check your gear before you play. If there are any problems that can't be fixed, and if there is a chance it would happen in the set, remove it and make do. A clean guitar solo can be just as effective as an over driven one. It is also impressive at times to see just raw guitaring. While effects can add to the ambiance, as long as your guitar works you are able to play.
2. Nelisa had walked over to the opposite side of the stage to give Keith focus at his solo time. That's when his gear failed so he could do nothing. She could have turned her focus to either the keys or even the bass to fill in the solo gap. Take the focus off the problem and get the audience looking somewhere else so the problem can be sorted out on the side.
3. When a lead guitarists gear fails on him, there is obviously a big gap. Other guitarists in the band should be able to cover the empty space. Again, get the focus off the problem so it can be handled quickly. If not another guitarist, the keys, bass or even drums can sort it out. You should generate a good enough feel for each other so you know who will step in if something goes wrong.

These are all things you learn from experience. I hope you can learn from my experience so you avoid embarrassing situations in front of your fans or potential clients.

Keep an eye out for Nelisa Kala and the Awakening. We'll be doing the rounds soon enough and it is something definitely worth watching.