Saturday, December 11, 2010
10:40 AM | Posted by
Donovan Banks |
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We're playing a 2 song set along with some other great bands. The event is being recorded to be released on DVD with the Zack's compilation album. Stay tuned for more details.
Thursday, November 18, 2010
4:08 PM | Posted by
Donovan Banks |
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In South Africa the 6th Edition of Idols (ptui!) recently closed with a character named Elvis Blue being declared the winner. Now I usually don’t care about this drivel but there are a few things I feel I need to talk about to all 6 people who read this, thanks Mom… (actually if my mother reads this I’ll be very impressed ha ha)
I once interviewed the singer of a local band called The Spoonfeedas. They were relatively successful in SA having a few good singles and some radio play with good sales and a fantastic live performance. The singers, Peter Guthrie, told me how he auditioned for the first SA Idols and never made it through the first round. By the second Idols the contestants were singing one of their songs in the final rounds. It’s a pretty clear indication of where real success comes from, and it isn’t from sms votes…
What made me really mad about this latest outcome is that the “winner” is singing a version of “Things My Father Said,” by Black Stone Cherry. I love Black Stone Cherry
, and funny enough I discovered this song shortly before my father passed away 2 days before my wedding on 11 December 2008. It is a brilliant piece of music and BSC deliver it so well. The song was released in 2008 so it is still very recent in the music world. South Africa hasn’t cottoned onto this band and I had to buy the album off Amazon and import it.
Then this twit from Idols releases his version as a single. Now I’m not fully against him, or cover versions but I do feel that a cover version that is arranged exactly the same as the original is a silly idea. I also reckon releasing a cover as your first single isn’t the best way to launch your career.
Let me knock the latter point out the park first. If your first release is a cover, you will gain fans for someone else’s sound. Do you remember Alien Ant Farm
? And their cover of Michael Jackson’s, “Smooth Criminal?” Did you hear any more from them? I remember one song and then they disappeared. Even the fact that they did the song justice with their arrangement didn’t help them because it did not allow the fans to get familiar with their particular style. All that happened was a group of closet Michael Jackson fans got to enjoy the song in public. Fall Out Boy also recently covered a MJ song, “Beat it.” They too had some success with it with one difference. They were already established and their fan base grew by those same few closet MJ fans. The only artists I know of who have success with releasing only covers are the crooners and those who sell to old ladies. Michael Buble stands out because his follow up releases, especially his own work were very good and he has earned the respect of this writer…
Seether recently released a cover of Wham’s Careless Whisper
. They added their own Seether twist to it and their fans enjoyed it. As well as a few closet Wham fans as well. Micheal Flower covered Oasis’ Wonderwall and arranged it unbelievably well. It makes the original sound like a cover. Alas this isn’t everyone’s cup of tea. Jimi Hendrix made All Along the Watchtower his own as did Garth Brooks with Bob Dylan’s To Make You Feel My Love
. Jose Feliciano and the Doors’ single Light my Fire. They all made it in their own style. If it were done according to the original arrangement all credibility would have been lost.
Why would any artist bother making an audio “photocopy” of someone else’s music? Especially as a first release. Please, be intelligent and learn from the mistakes others make.
Monday, September 20, 2010
12:54 PM | Posted by
Donovan Banks |
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I see so many bands these days giving out free music online. While I like the idea of free anything, I have to wonder where the product comes from. Where does the money come from to produce it?
Copying music is free, as free as it gets. All you need is a computer. You don’t need to design album art, get CD’s printed, packaged and distributed. I guess the trick is getting people to actually download, or copy with intent to share, your music.
I can see a reason for doing this. One can easily assume that people don’t want to pay for music. We hear a lot of talk in the press about how the downloading of music is hurting the industry. Then we hear the artists saying that they don’t mind, it is getting your work out there. The idea of millions of adoring fans is a great driver for many a musician. Having people sing along to your music at a gig is a great idea. You could be the next big thing, talked about by everyone, mentioned on every top blog; your songs could be on every celebrity’s iPod. You’ll be a star!
But you’ll be broke.
How will you have recorded your massive single? Who will have paid for your studio time? You could record at home, even with free software. Will it be good enough? It takes a massive amount of skill and effort to get a big studio sound out of a small home setup.
Do you think that these same people, who don’t want to pay for your music, will want to pay to see you perform? Will they pay to buy your branded hoodie? Who will hire you to play at their venue if the audience you attract, don’t want to pay for anything? How will the club make any money? Who will buy the beer? The same people who won’t pay for your music?
What if you get big enough to attract sponsorship from a large corporation? Do you expect this same audience, who don’t want to spend, to spend on your partnered brand? You may be attracting a crowd, but you’re not attracting a very good one. I don’t really see the point in being rich and famous, if you leave the rich out. Then you are merely infamous. Let’s leave that to serial killers.
I think the most disappointing factor about a band that gives their music away, is that they clearly don’t value their own product enough. Why would you make a product that you believe is not good enough to ask money for? There are many people who would pay $1 for a single on iTunes. It is an easy transaction. These same people would pay a few more dollars for more of your singles if they like it. They will also buy your merchandise, pay to see you perform and support your sponsors.
Why do bands think their product is so worthless that they have to give it away? I immediately think the band themselves don’t like the music. They don’t think they are worth someone giving them money for making it.
Have some pride in your craft. Make great music, believe in it and sell it. If it is good enough you could sell 100, 000 singles worldwide. If you get 60cents per single you have made $60, 000 dollars. If 2% steal your music, then there will be a further 2,000 copies of your song out there, but you have a wad of cash so you don’t have to care.
Friday, August 27, 2010
2:21 PM | Posted by
Donovan Banks |
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I got my hands on the Snap Jack, which is a guitar lead with a difference. The folks at Zzyxz have created a cable that you can separate at the Jack making the connection faster and a lot quieter.
Take a look at my video
I like it. I'm glad I have one and I want more...
Take a look at my video
I like it. I'm glad I have one and I want more...
Thursday, August 19, 2010
9:10 AM | Posted by
Donovan Banks |
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Last night I played a short acoustic set with the singer of Stereo in Flight, Bevan Lynch at Zack's in Windermere rd. It was a simple affair, hosted by Steve Fataar and was very laid back. It is a lovely, intimate environment to play, especially if you want to interact closely with your audience.
Before I get into our little set, I must mention that there was a duo that played before us. They go by the name(s) Matt and Mike, or was it Mike and Matt? Thats aside, they were very good. I enjoyed their set and was very surprised to see talent like this floating around. Great voice, great guitar playing, excellent songs and a very personable interaction with the audience. I am hoping to see them a lot more often.
Our set was planned to be only two songs. Bevan played his Yamaha steel string, I don't know the model number, I played my Aria Nylon String. We played well and executed the songs well enough, but in the video that our drummer, Brett Robertson kindly took I noticed something about my guitar, well, the guitars in general.
There was a major lack of bass presence in the out going sound. Which resulted in us sounding very thin and like half an ensemble. Sure, we were only half the band but plenty people play unplugged with no bass and get a good, balanced sound.
I can only guess what the problem was out of a number of possibilities.
Before I get into our little set, I must mention that there was a duo that played before us. They go by the name(s) Matt and Mike, or was it Mike and Matt? Thats aside, they were very good. I enjoyed their set and was very surprised to see talent like this floating around. Great voice, great guitar playing, excellent songs and a very personable interaction with the audience. I am hoping to see them a lot more often.
Our set was planned to be only two songs. Bevan played his Yamaha steel string, I don't know the model number, I played my Aria Nylon String. We played well and executed the songs well enough, but in the video that our drummer, Brett Robertson kindly took I noticed something about my guitar, well, the guitars in general.
There was a major lack of bass presence in the out going sound. Which resulted in us sounding very thin and like half an ensemble. Sure, we were only half the band but plenty people play unplugged with no bass and get a good, balanced sound.
I can only guess what the problem was out of a number of possibilities.
- My Battery is a little flat. Any adjustments I make to the preamp above or below zero suck so much power out of the already dead batter rendering the guitar a lot quieter. I think it's time to invest in rechargeable's. We'll see how that turns out...
- My guitar isn't the greatest sounding instrument. I have played guitars with a much better bass response. One of them being Brett's Ibanez that I
pinchedborrowed, another being a Martin that I played in store. Maybe, just maybe, it's time to start looking at a higher end Nylon String. For now I think I'm going to try thestolenborrowed Ibanez and see what comes of it. - We didn't do any sort of sound check. There was no EQ'ing done before we started. We merely tuned and played. It may have been a contributor to the lack of bass response as I don't recall any other performer's sounding very bassy either.
- There were only 2 small speakers for the PA. I'm sure my guitar doesn't get down to the frequencies that require bass bins but it could have also contributed with the other, above-mentioned points.
I think we did well last night. I am just being a little bit picky about the sound. Thankfully it was a small gig, not like we were making a DVD of it.
I do think it is important to review your performances. If you can get a simple video of the band so you can watch it later, you get to have an outside look at your performance. Much like any sport you need to improve on your last gig so keeping a reference will help identify areas to work on for your next performance.
Monday, August 16, 2010
2:40 PM | Posted by
Donovan Banks |
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Yesterday I went to mass at my old Parish on the Bluff. I spent many years playing guitar in a small folk choir there. In fact I started out playing there.
In my confirmation years we were told to do something for the parish and seeing as I just started playing, I tried my hand and joined this group. I had only just started playing and could barely hold a barre chord but I joined anyway. I sat at the back with my trusty old Nylon String and strummed away.
I learned many things in that group. I was forced to play in front of people every week. I learned that mistakes don't count, you must just carry on playing. I learned about song structure and some very strange chord progressions. I made some good friends as well.
I must have been part of that group for over 12 years. I only ever wrote one piece of music I consider a hymn. I taught this choir the song, never letting them know where it came from. they all fancied it and we played it a few times.
I left that parish when I got married (just over a year ago) and haven't been back much. Last night was the second time I have returned in 18 months. I was listening to them play one of my favorite songs and it reminded me how grateful I am to be able to make music. It reminded me of my start, when I couldn't play Bm and I was so nervous. For all my dreams and hopes about music, the foundation was laid there.
they finished the song and I felt humbled.
Then they started to play their next song and a wave of goosebumps came over me. I had completely forgotten about the hymn I had written and they were singing it. They still have no idea who wrote it and I like it that way. It was so surreal. I just sat there, closed my eyes and listened to this small group perform a song that I penned. They sang it with heart and I could feel their belief in the words.
What a humbling experience to know that not only have I written a song that is a spiritual connection for people, but that they sing it because they like it.
In my confirmation years we were told to do something for the parish and seeing as I just started playing, I tried my hand and joined this group. I had only just started playing and could barely hold a barre chord but I joined anyway. I sat at the back with my trusty old Nylon String and strummed away.
I learned many things in that group. I was forced to play in front of people every week. I learned that mistakes don't count, you must just carry on playing. I learned about song structure and some very strange chord progressions. I made some good friends as well.
I must have been part of that group for over 12 years. I only ever wrote one piece of music I consider a hymn. I taught this choir the song, never letting them know where it came from. they all fancied it and we played it a few times.
I left that parish when I got married (just over a year ago) and haven't been back much. Last night was the second time I have returned in 18 months. I was listening to them play one of my favorite songs and it reminded me how grateful I am to be able to make music. It reminded me of my start, when I couldn't play Bm and I was so nervous. For all my dreams and hopes about music, the foundation was laid there.
they finished the song and I felt humbled.
Then they started to play their next song and a wave of goosebumps came over me. I had completely forgotten about the hymn I had written and they were singing it. They still have no idea who wrote it and I like it that way. It was so surreal. I just sat there, closed my eyes and listened to this small group perform a song that I penned. They sang it with heart and I could feel their belief in the words.
What a humbling experience to know that not only have I written a song that is a spiritual connection for people, but that they sing it because they like it.
Friday, July 30, 2010
8:56 AM | Posted by
Donovan Banks |
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When playing small gigs one encounters a variety of very strange people. It’s not always drunk people either. I will try list those I have come across and how to handle them professionally.
The Starer – This is the person who saunters up really close to where you are playing and tries to take in everything without blinking. He/She will walk slowly back and forth across the front of the stage, or round the sides too if it is clear and will glare at every piece of gear on the stage. They only glance at you; the musician and try avoid eye contact. They may get a blank look on their face and their mouth may start to fall open. This is not a sign of awe but more a sign of complete brain shut down. The Starer is harmless but needs to be watched in case they turn out to be a crazy fanatic who thinks you are Elvis reincarnated and is looking for a souvenir to snatch and run away with. Keep an eye on this one.
The Drunk Dancer – This one may appear to be really enjoying the music and embarrassing themselves on the dance floor. They do provide the band with some entertainment as well but may easily turn into the requester or the wannabe-member. Look, smile and enjoy the person who is enjoying you making music.
The Requester – This is the person who hangs around one of the members mid song. They usually target the most accessible, or the most accessible looking member. As the song finishes they pounce and make a request for Elvis, the Beatles, Dire Straits or Wonderful Tonight. If you can fulfill the request then do so if you wish. Always be polite but if they request something you hate playing, ask for all requests to be written on a R200 note. This generally gets them to leave you alone but it may just score you an extra R200.
The Visiting Muso – To me these can be either really encouraging or a massive pain in the butt. He tends to stand somewhere he thinks is inconspicuous but you can spot him a mile away. He stands leaned against a wall or railing with his hands in his pockets or arms folded. He will watch the member who plays the same instrument as him. One has to particularly worry when this one is part requester. He has the potential to approach a member and request the song he finds most difficult to play. When you say no, he will retort with, “Oh, I can play that.” Or, “Real musicians don’t need sheet music.” Or some snide remarks that will make you want to moer him with your instrument. If you are a musician watching a band, smile. Look approachable and happy to be watching the band. Remember the person on stage is just like you and could use encouragement and positive reinforcement whether they are better or worse than you.
The Wannabe Member – She is the person who wants to sing a song. Part requester and usually inebriated this person suddenly gets the courage and talent and wants to be part of your band. My view is to not oblige these people. Politely say, “We have a rehearsed system and we’ll only make you look bad.” Or something else nice but firm. If you do allow them on stage, they could either be really bad in which case you have potentially made the most popular person in the bar look stupid making a few enemies, or they could be really good and make you look bad.
The Interrupter – The interrupter is usually one of the above but with no manners. They will approach a band member mid song, yes, while you are playing or singing and want to engage you in conversation. I have lost count how many times this has happened to me. This is a result of trying to interact with your audience. If you sense he is about to approach you employ the cold shoulder, if you are standing. The Cold Shoulder is deployed by turning your back on the person. If they approach you from behind they will have to make physical contact now which is unlikely. If you are sitting, then the death stare should help but is not very effective. You’re on your own.
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About Me
- Donovan Banks
- Durban, KZN, South Africa
- I am a musician who does anything and everything else. I write about what I do and how I do it. Enjoy and feel free to comment.
